Sara has some questions. Engaged for one day, she decides to call off her marriage. Quirky and beautiful, she is working on being bold. Having had a short relationship with a woman in college, Sara seeks that feeling again. How can she have a woman’s touch without giving up men entirely? This question launches Sara on a bittersweet journey filled with self discovery, sexual awakening, beautiful women and sometimes men.

True to their name, Slave to Sirens — the first and only all-woman thrash metal band in the Middle East — are utterly magnetic. Amid a backdrop of political unrest and the heartbreaking unraveling of Beirut, five bandmates form a beacon of expression, resistance, and independence. Director Rita Baghdadi follows founders and guitarists Lilas Mayassi and Shery Bechara as their tenderness, and sometimes bitterness, for one another grows in ways both unexpected and deeply moving. Joined by vocalist Maya Khairallah, bassist Alma Doumani, and drummer Tatyana Boughaba, these women negotiate their emotional journeys through young adulthood in tumultuous circumstances with grace, raw passion, and a ferocious commitment to their art. Their grit is tested as they grapple with the complexities of friendship, sexuality, and the destruction around them.

Three generations of Delaney women explore the highs and lows of modern-day dating, learning that love and romance can be found at any age…and sometimes where you least expect it.

Claire seems to live a normal life as a hair stylist by day, lending a sympathetic ear to the women who visit her chair and encouraging them to unburden themselves as she works her magic. But for an unlucky few, Claire’s interest grows more sinister, and she begins coveting their lifestyles…and sometimes their very lives. Her client Olivia has everything Claire wants: a devoted fiancé, robust friend group, successful career, and confident demeanor. When Olivia makes the well-intentioned mistake of asking Claire to style her hair for her wedding, Claire becomes obsessed, and her unassuming, meek demeanor slowly gives way to her inner demons.

Bassley, a Nigerian footballer living in Vietnam, has been unable to make a living since he broke his leg. He and four middle-aged women he sometimes works for decide to escape the disappointment of their daily lives. They go to an old house where together they create a special world for themselves. But this intimate utopia cannot last forever.

An examination of the romantic life of a young man in New York City and his sometimes fleeting, sometimes profound experiences with the women he encounters.

Henry Van Cleve presents himself at the gates of Hell only to find he is closely vetted on his qualifications for entry. Surprised there is any question on his suitability, he recounts his lively life and the women he has known from his mother onwards, but mainly concentrating on his happy but sometimes difficult twenty-five years of marriage to Martha.

The film focuses on the tumultuous romance in the lives of four women in The Hague. Teenage daughter Eva, her mother Judith, aunt Barbara and older sister Anna make it under one roof Hague together a nice game of. They are beautiful, courageous and sensible, but sometimes they just do not know in a world full of tender love, serial dating, slaked lust, affairs, children’s desires and indestructible old loves.